By Simon McCarthy-Jones / Trinity College Dublin
Last month, more than 100 million people watched the gory Netflix show, Squid Game. Whether or not screen violence is bad for us has been extensively studied. The consensus is that it can have negative effects. But the question of why we are drawn to watch violence has received much less attention.
Death, blood and violence have always pulled a crowd. Ancient Romans flocked to carnage in the Colosseum. In later centuries, public executions were big box office. In the modern era, the film director Quentin Tarantino believes that: “In movies, violence is cool. I like it.”
Many of us seem to agree with him. A study of high-grossing movies found 90 percent had a segment where the main character was involved in violence. Similarly, most Americans enjoy horror films and watch them several times a year.
Who is watching this stuff?
Some people are more likely to enjoy violent media than others. Being male, aggressive and having less empathy all make you more likely to enjoy watching screen violence. There are also certain personality traits associated liking violent media. Extroverted people, who seek excitement, and people who are more open to aesthetic experiences, like watching violent movies more.
Conversely, people high in agreeableness—characterized by humility and sympathy for others—tend to like violent media less.
One theory is that watching violence is cathartic, draining out our excess aggression. However, this idea is not well supported by evidence. When angry people watch violent content, they tend to get angrier.
More recent research, derived from studies of horror films, suggests there may be three categories of people who enjoy watching violence, each with their own reasons.
First are “adrenaline junkies,” or sensation seekers who want new and intense experiences, and are more likely to get a rush from watching violence. Next are “white knucklers.” They enjoy watching violence because they feel they learn something from it, like how to survive. A final group seems to get both sets of benefits. They enjoy the sensations generated by watching violence and feel they learn something. In the horror genre, such people have been called “dark copers.”
Is it really the violence we like?
There are reasons to reconsider how much we like watching violence per se. For example, in one study, researchers showed two groups of people the 1993 movie, The Fugitive. One group were shown an unedited movie, while another saw a version with all violence edited out. Despite this, both groups liked the film equally.
This finding has been supported by other studies which have also found that removing graphic violence from a film does not make people like it less. There is even evidence that people enjoy non-violent versions of films more than violent versions.
Many people may be enjoying something that coincides with violence, rather than violence itself. For example, violence creates tension and suspense, which may be what people find appealing.
Another possibility is that it is action, not violence, which people enjoy. Watching violence also offers a great chance for making meaning about finding meaning in life. Seeing violence allows us to reflect on the human condition, an experience we value.
All this suggests that media companies may be giving us violence that many of us don’t want or need. We should hence consider what other corporate, political or ideological pressures may be encouraging onscreen violence globally.
For example, the US government has a close interest in, and influence over Hollywood. Portrayals of violence can manufacture our consent with government policies, encourage us to endorse the legitimacy of state power and state violence, and help determine who are “worthy victims.”
The American political scientist Samuel Huntington once wrote that, “The west won the world not by the superiority of its ideas…but rather by its superiority in applying organized violence. Westerners often forget this fact; non-Westerners never do.”
We should be constantly aware of how fake violence on our screens serves real violence in our world. The Conversation